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August 07, 2026

A new wave of Marvel Mania has taken hold of the nation. 

 

Audiences and fans are still flocking to Spider-Man: Brand New Day, which had the biggest week in domestic box office history, crossing $500 million faster than even Avengers: Endgame. It's expected to have one of the biggest second weekends in history. 

 

Don’t expect a new Spidey movie to happen quickly, however. (The first three of the Holland movies released about every two years, while Brand New Day had a five-year gap.) But do expect Destin Daniel Cretton to be on set in the coming year. 

 

That’s because Cretton is next turning his attention to Naruto, which aims to go into production in the first half of 2027. He’s been with the Lionsgate adaptation of the manga since before joining Brand New Day and the studio now suddenly finds itself with one of the hottest directors in town. 

 

It's been a head-spinning seven days for Marvel and Cretton. Even as Brand New Day was hitting theaters a week ago, Cretton’s Wonder Man got the axe, and Mahershala Ali went scorched earth on Marvel over Blade. This follows on the heels of Marvel's San Diego reveal of Ryan Gosling playing Ghost Rider and David Jonsson a the new Black Panther.

 

And as much as many say that superheroes are over, comic book movies are over, Marvel is so over, the box office says otherwise. And you know what else says otherwise? The unending speculation and rumor-mongering of who is, or isn’t, in the new X-Men feature.

 

So far, Samara Weaving as Emma Frost and Kit Connor as Cyclops/Scott Summers have a legitimate foothold on the call sheet. But Marvel has been reading and testing actors for months (and as rumors have it, Marvel could have a banger of a reveal at next week’s D23).

 

But what is real and what isn’t? Well, there was an Asa Butterfield rumor this week. That one we can tell you was way off base. But what is true is that another Asa…Asa Germann of Scream 7 and Gen V…did test for Cyclops. He clearly didn’t get it, but is it possible he was awarded another role? Marvel isn’t responding.

 

(And while we’re on the subject of Cyclops, we can tell you there was strong interest in Cooper Hoffman, according to sources, but scheduling nixed that idea pretty early on.)

 

Then there are the Professor X rumors. Bill Skarsgard seemed to have emerged from certain quarters who certainly seem so certain about their claims. We can tell you with certainty that Christopher Abbott (Tony Award nominee for Broadway’s Death of a Salesman) and Tom Pelphrey (HBO’s Task, Amazon Prime Video’s Outer Range) both tested for the role…and Pelphrey did not get it. But did Abbott? Or is it possible a dark horse contender nabbed? Marvel isn’t responding

 

And we haven’t even touched the Adam Driver of it all. Magneto? Pshaw. Or more like, Sebastian (p)Shaw?

 

Anyway, if we had a hands up in frustration emoji available, we’d use it now. All eyes are on next week’s D23. 

 

So what do we know? Well, we do who’s going to be running from alligators very, very soon …

—Aaron Couch and Borys Kit.

 

YOU CAN'T KEEP A GOOD GATOR DOWN. 

 

Paramount is going back to the water for a follow-up to its 2019 sleeper hit Crawl, setting Mason Gooding and Emily Rudd to star in a new survival story. Alexandre Aja, who directed the initial movie, is back as director for the feature that will go into the production later this month in Hungary.

 

The 2019 movie starred Kaya Scodelario and Barry Pepper as a daughter and father duo who find themselves trapped in a Florida home and hunted by a gator (or three) during a Category 5 hurricane. The movie proved profitable for Paramount, generating $91.5 million on a budget of under $14 million.

 

Best known for his breakout role in Olivia Wilde’s Booksmart and fan favorite role in the Scream franchise, Gooding can currently be seen in the Netflix comedy Hours opposite Kevin Hart and in Gregg Araki’s I Want Your Sex, currently in theaters.

 

Rudd is the female lead in Netflix’s record-breaking live-action adaptation of One Piece. Upcoming, she will be seen in Brian Duffield’s Whalefall for 20th Century Studios.

 

Wade back in.

NETFLIX IS READY TO BLUR THE LINES.

 

The streamer has tapped Kirill Sokolov to direct Blur, a mother-daughter story involving teleportation.

 

Sokolov is the Russian helmer behind horror action movie They Will Kill You, which starred Zazie Beetz and took place in a Manhattan luxury building whose Satan-worshipping tenants engage in ritualistic killings.

 

Shawn Levy and Dan Levine will produce via 21 Laps.

 

Kirill'ing it.

 

Catch up on these Heat Vision interviews...

 

➤ Christopher Nolan loved Obsession so much that he dropped a "motherfucker" during an interview with THR's Brian Davids.

 

➤ Ice Cream Man director Eli Roth reveals he tried to recruit Kane Parsons and Backrooms four years ago. He also says Obsession deserves screenplay and actress Oscars.

 

➤ Fast 11 director Louis Leterrier insists he's still under contract, but he's not waiting around for the long-gestating series capper to finally get its budget issues in order.

 

➤ Spider-Man: Brand New Day star Michael Mando says he discussed Mac Gargan's potential as Venom with Destin Daniel Cretton.

 

➤ Spider-Man: Brand New Day star Jacob Batalon gives his take on the handshake heard around the world.

 

➤ After Better Call Saul and Trap House, Tony Dalton says he no longer wants to play cartel bad guys. A pre-Obsession Inde Navarrette worked for his cartel boss character in 2025's Trap House.

 

➤ Cassie Lang actor Kathryn Newton says Avengers: Doomsday went better than expected. 

 

➤ Spider-Man: Brand New Day director Destin Daniel Cretton explains why the 2-second shot of Spider-Man flying into the Hand required 65 takes.

 

➤ Tom Hiddleston explains how Loki and Thor paved the way for his new Nat Geo series, Pompeii: Out of Time.

 

WHEN MARV WOFLMAN AND GEORGE PÉREZ LAUNCHED THE NEW TEEN TITANS IN 1980, few expected the book to make waves or even last, for that matter.

 

After all, it was a comic centered on the sidekicks, and came after two previous Teen Titans comic series were cancelled for being unhip.

 

To the surprise of its creators, the comic became a massive hit and the top-selling title at DC for years, making superstars out of both its writer and artist. It spoke to teens and young readers in a way that few books had at that point. And its impact remains tangible today, as seen in the long-running animated series Teen Titans Go! and the continued prominence of characters such as Cyborg, Nightwing and Starfire.

 

But the true star of the series was the art by Pérez, who came to DC from Marvel and stayed at the publisher for the next decade or so.

 

Now, the illustrator and his Teen Titans work get the ultimate showcase in George Pérez’s The New Teen Titans Artist’s Edition from Act 4/Skybound/Image Comics. 

 

Over the course of 192 splendid and dazzling pages, Pérez’s art is seen the exact way an editor would have seen it straight from the artist himself, before being reduced in size to the standard comic format. Scanned from the original pages, it’s filled with ink gradients, blue pencil lines, side notes to colorists, smudges, and above all, a grasp of the medium that is hard to describe.

 

The Titans Artist’s Edition is a curated selection of pages from issues No. 1-43, annuals, covers, and more from the classic comic, and like the best of the Artist’s Editions, is both an art book and comic.

 

The Artist’s Editions are the brainchild of Scott Dunbier, an art dealer turned editor who came up with the idea of showing “original comic art in its natural state” while at IDW in 2010. The format and idea caught on so much so that other publishers now imitate it. Still, no one does it as well as Dunbier, who launched Act 4 in 2024.

 

He's been itching to show off Perez art for a while, but finding the art is almost never easy. Dunbier is the comic art world’s Indiana Jones, always on the quest for artistic holy grails. 

 

He says putting a book like this can take years, even if you find a collector who has a large amount of select pages. 

 

“I did a scanning trip to L.A., and this one guy brought three suitcases filled with portfolios,” Dunbier tells Heat Vision. “I spent the days scanning all of his art. It’s people like that that make these books possible.”

 

Regarding the Perez, who died in 2022, Dunbier notes, “he had such a love for these characters. I wanted to find what I thought best showcased that love.”

 

The George Pérez’s The New Teen Titans Artist’s Edition, with an introduction by Wolfman, is out now and retails for $150.00. The limited edition version with a different cover and slipcase that is signed by Wolfman and numbered is already sold out.

MARVEL FAMOUSLY FOUND MASSIVE SUCCESS with its Star Wars comics adaptation that turned into a decade-long series. When Harrison Ford moved to star in another George Lucas-created movie, Marvel got in on the action and began to publish The Further Adventures of Indiana Jones as well as the adaptations of the original trilogy.

 

The series, alas, only ran from 1982 to 1985, lasting 34 issues. It was not a big sales generator, despite an auspicious start with a story written and drawn by John Byrne. (He left after two issues after getting fed up with persistent Lucasfilm interference.)

 

Still, the title attracted some key talent, including a young David Mazzucchelli (who would later go on to drawn Daredevil: Born Again and Batman: Year One) and an elder Steve Ditko (the Marvel legend behind Spider-Man and Doctor Strange). 

 

Marvel Comics this summer announced it's reprinting the entire run in a two volume deluxe hardcover (leatherette binding! ribbon bookmarks!) that hits stores September. And come December, it will put out a brand new comic – a five issue mini-series – from Jason Aaron, the writer who helped relaunch its Star Wars comic series a decade ago, and artist Aaron Kuder. (It’s being titled Indiana Jones and the Sword of Pandemonium.) 

 

Anyway, the cover of Indiana Jones No. 13, drawn by Brett Blevins and one of the more interesting and dynamic covers of the series, hit the ComicLink auction market and sold for a tomb-robbing price of $3,200. 

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